Wanting to focus on acting rather than “celebridom”, Catherine booked a ticket to Los Angeles, where, after a series of smaller TV roles, she won her breakthrough gig alongside Antonio Banderas in 1998’s The Mask of Zorro, produced by Steven Spielberg. This was followed by Entrapment with Sean Connery in 1999, and then Traffic in 2000, which earned her a Golden Globe nomination. By 2002, she’d returned to her first love, musical theatre, in the film version of Chicago opposite Renée Zellweger, winning an Oscar for best supporting actress.
That run of projects had a common thread: “In my career, there has always been a kind of beauty aspect to it. I was pigeonholed for so many years as being a musical-comedy actress. I always wanted to be cast in one of Helena Bonham Carter’s roles in those period dramas. I dreamed of that, but it never really came my way. I think I was just too Welsh!”
Topping lists for “most beautiful” women has its pressures, I say. “Oh, always. When I read a script and the character’s description has the prefix of ‘beautiful, stunning, gorgeous’, it’s always intimidating. Personally, I would never consider myself a great beauty but my mother always told me to make the best of myself.”
During this time, her personal life went up a mighty notch in the Hollywood stakes, too. While promoting Zorro in 1998, she was introduced to Michael Douglas by mutual friends Antonio Banderas and Melanie Griffith, who were a couple at the time. If she was already considered a Hollywood red-carpet favourite, her marriage to Douglas, 25 years her senior, cemented her standing.
“I married Michael Douglas, who was perceived as Hollywood royalty because he’s the son of Kirk Douglas, so that sort of fed into my red-carpet looks,” she tells me. (Michael’s stepmother, Anne, passed away a few days before our interview. In a tribute on her Instagram page, Catherine wrote: “Our loving matriarch Anne Douglas is now in the arms of her beloved husband Kirk. 102 formidable years old. I love you with all my heart Oma.” )
Catherine and Michael had their first child, Dylan, in August 2000, and in November the same year they married at The Plaza in New York. (The story goes that it was the longest wedding the legendary venue had ever hosted – they were meant to finish at 6pm; instead it finished at 6am the next day.) They had Carys three years later and, for 12 years, raised their son and daughter in Bermuda – where Michael’s mother was from – away from the paparazzi.
“We wanted them to have a normal childhood, not being photographed going to school every day,” Catherine says. “We didn’t want them to be on film sets with a tutor. If I was working, Michael would be home with them, and vice versa.
“I’m very conscious of my kids being very rooted, very down to earth, and I’m always big on manners. I get complimented on how unaffected they are and that’s because they weren’t brought up in Hollywood. We managed to retain some of their childhood longer than other folk.”
After a series of high-profile films, including Ocean’s Twelve and The Terminal, Catherine took some time off. Then, in 2010, Michael was diagnosed with, and recovered from, tongue cancer. She came back with a bang, most notably when she portrayed Olivia de Havilland in the 2017 miniseries Feud: Bette and Joan.
Dylan and Carys were at home –Dylan from college and Carys from boarding school in Europe – when the pandemic struck in early 2020. “What was interesting was to be together as a family. It was really comforting. I love having breakfast, lunch and dinner with them … Having them home took my husband and I back to a time when they were much younger.”
One of the things that concerns her now is the impossible beauty standards put upon younger women through social media. “I really feel sorry for my daughter’s generation who are inundated with images on social media with filters,” she says. “There’s not a real representation of a woman. I was never brought up with that. I know for sure if I was brought up in that world, it would have affected me.”
I ask if she ever felt she needed to put on a front. “There’s a confidence I’ve sometimes had to put on when I walk down a red carpet. I have my insecurities like every other woman. But as I’ve got older, I’ve got much more confident about the way I look.”
“For many years now I’ve shied away from pretty roles, hoping for much more fleshed-out, real, warts-and-all characters to play. There are some interesting roles out there for women and it’s getting better for women over a certain age.”
As for her take on anti-ageing treatments: “I am all for whatever makes you happy. There are so many treatments now that don’t make you look like you’ve just stepped off Mars, so it goes back to self-confidence. An inner confidence is very empowering for women. Whatever that takes, do it.”
Catherine now seeks out scripts that have no description of the character’s looks. “Most of the more interesting roles are not glamorous. For many years now I’ve shied away from pretty roles, hoping for much more fleshed-out, real, warts-and-all characters to play. There are some interesting roles out there for women and it’s getting better for women over a certain age.”
She recently joined the cast of the crime drama Prodigal Son, in which she plays a “crazy, bad doctor” alongside fellow Welsh actor Michael Sheen. Although only a year apart in age, and both hugely successful Welsh exports, they had never met before filming Prodigal Son. “I was desperate to work with Michael,” says Catherine. “It was like six degrees of separation – we know so many of the same people! We had a fabulous time working together.
“But I’m ready to play a British role in the UK,” she adds. “I’m always back in the UK but I don’t go to London – I go straight to Wales to see family. I’m a very homebody kind of person. My friends call me Cath. I speak with my mam every day, sometimes three times a day.
“It’s essential for me to have the two sides of the world. I have friends who knew me before I became known internationally, people who have been with me the whole journey. It takes those people to keep you grounded.”
As well as her product line and acting roles, Catherine is also producing three projects, something she loves as “it gives you the opportunity to find a piece of work that you’re really passionate about and then work it out with the people you love to work with.
“That’s where I’m at now. I don’t want to work with any dickheads. I just want to work with really good people and do good work.”
Stella Magazine, The Sunday Telegraph (UK)